100 Best Movie Lines

Just to tickle your fancy and keep your brain recall function active.

Time After Time

Such a beautiful song inspired my painting entitled "Time After Time". Here it is performed by the Larry Franco Quartet with guest Michael Supnick.

How Do You Keep the Music Playing

"How Do You Keep the Music Playing?" was the inspiration for this portrait of a young woman. By all counts, it is one of the most beautiful love songs ever written. It was composed by Michel Legrand, with lyrics by Alan and Marilyn Bergman for the 1982 film Best Friends. It was nominated for the Academy Award for Best Original Song at the 55th Academy Awards.




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I Won't Send Roses

Giving a painting a title isn't always the easiest thing to do. This man is in love, but is at a loss as how to express it.

See if you think Michael Feinstein's "I Won't Send Roses" sums it up.




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Brazilian Girl --- She Surfs

Somehow I can't imagine packing a suitcase and heading for Brazil. However, our technorati entrepreneurial son is doing just that. He and his young family are planning a new life on the Brazilian island of Florianopolis. (Apparenly it is not only a great place to live but also a cool place to surf.)

It's funny, but I have this persisting notion. When I invest emotional energy and time in a place, it seems that eventually I am physically connected with that location. I have had this happen multiple times in my life.

Last summer I came across a Brasilian jazz pianist on YouTube and watched it over and over; I spent hours listening, dancing and painting to her music. Her name: Eliane Elias. I love jazz piano and love the way she plays it. So now, here is another unexplainable connection. The people I love most are going to be in Brazil.

Girl in the Blue Turban

As I was gessoing the paper for this painting my husband said, "What are you going to paint?"

"I haven't the slightest idea," I said.

"How can you get ready to paint and not know what you are going to do," he asked.

"Well, that's just the way it is," I told him.


There is something both frustrating and magical in those moments before the pencil sketch is created and the paint is mixed. For me there is no recipe -- no tried and true habits. Each work, as so many artists know, has a life of its own. And in the doing, each painting I complete could have been several paintings if I had stopped at certain junctures. I had an art professor tell me to "stop now or the painting will become something different." He was right.

I don't stop until I have exhausted every possibility and the work itself says you're done. I'm not sure it will always be this way. When I figure out how everything works maybe it will be different.

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Girl with Brown Eyes